WORDS RELATED TO SLAPDASH SKIN

Nobody has obviously ever told him that there is nothing worse than poking fun at physical impairments. Kedar takes swipes at them without a care in the world. The two prospective bridegrooms become instant butts of ridicule. Kedar, looking for husbands for his two middle sisters, is provided a lead by wedding planner Shanu (Seema Pahwa) - two well-off twins who stammer.

It isn't only about the treatment that the film metes out to women.

Not for once does it pause to ponder over how insensitive all the noise it makes sounds. It is loud, shrill and excruciatingly bombastic. It is an insufferably turgid tearjerker that delivers an anti-dowry statement but not before it has repeatedly underlined the regressive notion that women are the mercy of the men in their lives - fathers, brothers and husbands. We know where Raksha Bandhan is headed, but the convoluted route that it takes to get there makes the journey awfully wearisome. Yet, constantly frothing at the mouth as it spouts inanities, the film quickly careens out of control. Raksha Bandhan, written by Himanshu Sharma ( Tanu Weds Manu, Raanjhana, Zero) and Kanika Dhillon ( Manmarziyaan), is only 110 minutes long, which is about the only thing about the film that could be deemed passable. That, in a nutshell, is the plot of Raksha Bandhan, an abjectly anachronistic tale that thinks nothing of emphasizing that a husband is all that a girl needs in order to complete her life. He intends to marry his daughter off before his superannuation. He will wait no longer, the old man thunders. He has eight months to go before he retires. Kedar's girlfriend is at her wit's end, having waited forever to wed him. This guy's 'magic' golgappas have the power to deliver 'miracles', but his attempts to find matches for his sisters do not yield instant results. Kedar, the ideal brother, 'manfully' carries the burden of his younger female siblings who, in turn, look up to the man for salvation.

Raksha Bandhan peddles shockingly obsolete notions about women and their body type, skin colour and general demeanour. Indeed, those that are bound to be appalled by the film's archaic assumptions will be tearing their hair out in despair. Why would young women growing up in a part of India's NCR in this age of free-flowing information and abundance of opportunities make such a big deal about marriage? The girls of Raksha Bandhan, like the film itself, are caught in a time warp. Both its feet are firmly planted in an era long gone. It is hard to believe that anybody would make a film such as this in 2022. One lot will certainly be moved by the predicament of a man 'saddled' with sisters for whom he must find life partners before he can marry his longtime girlfriend Sapna (Bhumi Pednekar). The poor man's plight is meant to leave the audience in tears. Kedar Nath (Akshay Kumar) is forsworn to finding suitable boys for his sisters and doing whatever it takes to pool together the money needed for the weddings. Happiness in this hero's Chandni Chowk household rides on the institution of marriage.

WORDS RELATED TO SLAPDASH SKIN

Words related to slapdash